During my stint as Artist in Residence for the Wigtown Book Festival, I found myself reflecting on the fact it often feels I’m part photographer, part psychotherapist.
When upward of 90% of people use the opening line, “I hate having my photo taken…” the majority of my time is spent not using the camera, but reassuring, explaining and trying to build a sense of connection and trust with the person in front of me.
So when I encounter a rare individual who is perfectly comfortable in front of the lens right from the start, it’s a pure delight – especially when they are then up for playing.
One such person I discovered during the festival was Peggy.
When I photographed her for the wall of The Hut I was immediately struck by her appearance. With short dark hair, and large rimmed glasses she had an almost iconic look, and when I converted the image to black and white, I was reminded of a kind of 1950s Beatnik style.
Of course one of the things about having such a striking outward style, is people will fix on it as the key identifying trait. So if Peggy was to remove her glasses and change her hairstyle, the chances are she could walk right past most people who know her and they wouldn’t even realise it was her.
With my love of faces, I found myself wanting to photograph her without her glasses. She was up for the idea, but we didn’t then get the chance until the very last evening of the Festival. By then it was dark and the only available light was on the stairs, and that wasn’t particularly great. However, black and white gives more options under these circumstances, so I felt it was still worth going for.
What’s great about Peggy from my point of view is she instantly understood photography is all about storytelling. So no need to be shy in front of the camera – rather it was a chance to play. She fished out some bright red lipstick and between us we came up with the idea of having it smeared, but with an unapologetic, even aggressive expression.
Within a few short minutes we’d created another almost iconic image.
Such fun!
Peggy is also the Programme Director of the West Port Book Festival in Edinburgh, which this year is happening from the 13th to 16th of October.
Visit www.westportbookfestival.org for more information, and if you go along and bump into Peggy, do say hello to her from me.
Saturday, 8 October 2011
Friday, 7 October 2011
And... rest...
As I stapled the last of the photos to the walls of The Hut at 1 o’clock in the morning, a few hours after the Wigtown Book Festival had officially closed, I realised no one was going to see all the images on the walls for another 8 months.
Normally you finish putting up an exhibition, and then people view it, but because this was an ongoing installation, visitors only saw it in progress.
The room I was given as a studio space in The Hut, while I was Artist-in-Residence, will now return to use as a place to catalogue the books destined for the shelves of ReadingLasses café and bookshop, until the first weekend in June 2012. It will then be opened up again to the public for the extended bank holiday weekend as part of the Spring Fling Open Studio Event.
It’s difficult to believe it was only 10 days. Thinking back to at time before the festival, it feels more like a couple of months have passed rather than less than 2 weeks.
There have been disappointments and delights, new friends made, opinions revised, lessons learned, skills enhanced, and seeds for potential futures have been sown.
I started off with naïve enthusiasm, fell into despair, adjusted my expectations and grew in confidence.
There’s a saying I love, which goes, “experience is something you gain immediately after you needed it the most”, and the experience of being artist-in-residence has felt a lot like that. At the beginning I didn’t really know what to expect or what was expected of me. I made my best guesses, but it’s only when things go wrong, and you have to revise your ideas and expectations that you really learn.
As the Festival drew to a close, I knew how I should have handled it from the start. I could see clearly when I should have acted differently, when I should have been bolder, and when I should have been more subtle.
So now it’s about finding a way to allow all the experiences and lessons to settle in and let them become part of the fabric of who I am and who I will become.
And trying to catch up on some sleep…
To view the full set of 174 portraits taken over the 10 days of the Wigtown Book Festival, visit my Facebook or Flickr albums:
Facebook
http://www.facebook.com/media/set/?set=a.292506957430682.93692.114749591873087&type=1
Flickr
http://www.flickr.com/photos/kimayres/sets/72157627752630956/
Normally you finish putting up an exhibition, and then people view it, but because this was an ongoing installation, visitors only saw it in progress.
The room I was given as a studio space in The Hut, while I was Artist-in-Residence, will now return to use as a place to catalogue the books destined for the shelves of ReadingLasses café and bookshop, until the first weekend in June 2012. It will then be opened up again to the public for the extended bank holiday weekend as part of the Spring Fling Open Studio Event.
It’s difficult to believe it was only 10 days. Thinking back to at time before the festival, it feels more like a couple of months have passed rather than less than 2 weeks.
There have been disappointments and delights, new friends made, opinions revised, lessons learned, skills enhanced, and seeds for potential futures have been sown.
I started off with naïve enthusiasm, fell into despair, adjusted my expectations and grew in confidence.
There’s a saying I love, which goes, “experience is something you gain immediately after you needed it the most”, and the experience of being artist-in-residence has felt a lot like that. At the beginning I didn’t really know what to expect or what was expected of me. I made my best guesses, but it’s only when things go wrong, and you have to revise your ideas and expectations that you really learn.
As the Festival drew to a close, I knew how I should have handled it from the start. I could see clearly when I should have acted differently, when I should have been bolder, and when I should have been more subtle.
So now it’s about finding a way to allow all the experiences and lessons to settle in and let them become part of the fabric of who I am and who I will become.
And trying to catch up on some sleep…
To view the full set of 174 portraits taken over the 10 days of the Wigtown Book Festival, visit my Facebook or Flickr albums:
http://www.facebook.com/media/set/?set=a.292506957430682.93692.114749591873087&type=1
Flickr
http://www.flickr.com/photos/kimayres/sets/72157627752630956/
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